Tuesday, August 26, 2014

Awkward Early Talkie Theatre: "Children of Pleasure"

The 1930 MGM film "Children of Pleasure" tries to whip up big-city razzle dazzle in the manner of the same studio's Oscar-winning "The Broadway Melody" or "Chasing Rainbows," but due to a wan leading man and subpar musical numbers (including one where the dancers are dressed as brooms), the effect is more like a handful of confetti shaken out of a pant cuff by a surly headwaiter.

The leading man, Lawrence Gray, is a handsome fellow who supported Marion Davies in her first talkie, 1929's "Marianne," and who played opposite Marilyn Miller in "Sunny," one of the year's top-grossing films. But left to his own devices, Gray has little more than a smile and a shoeshine, and a mildly pleasant singing voice.

Gray plays songwriter Danny Regan, whose tunes are being whistled by every Dick and Dora along the great white way. "That's the stuff!" they say in unison. Yes, the world is Danny's oyster -- he even knows Jack Benny (playing himself)!


Danny's big hit at the moment is "A Couple of Birds (with the Same Thing in Mind)," sung in a Broadway revue by Fanny Kaye, played by May Boley. This is Boley's only musical role, which should tell you something. Her other credits include the 1930 film "Moby Dick" (as Whale Oil Rosie) and the 1939 version of "The Women" (as woman under mud pack). From its heard-it-before rhythms to its blackface chorus, "A Couple of Birds" is highly missable.

Meanwhile, back at Danny's music publishers, we meet the warm, vivacious Emma (Wynne Gibson), Danny's former vaudeville partner who secretly lurrves him as she helps him put over his songs. Alas, Danny has met Pat (Judith Wood, acting under the name Helen Johnson), a rather chilly society girl, and the big sap falls for her like a tycoon jumping off a ledge on Black Thursday.

Then there is more plot -- we're introduced to Fanny's piano player and reluctant lover, Andy (Benny Rubin). Fanny and Andy keep popping up to banter about Andy's roving eye.

Fanny (on Andy ogling a secretary): You never looked at me like that!

Andy: You never looked like that!

A production number based upon
particulate matter.
Danny pitches his next big number, called, um, "Raisin' the Dust." And brother, it's sweeping the country! Or at least this soundstage, where the chorus girls wear broom bristles on their arms and legs and rhyme "hades" with "ladies." What fun this must have been to shoot.

At the end of the number, Fanny -- wearing a one-horned hat that makes her look like a cockeyed unicorn -- brings Danny on stage, and in the audience he sees Pat again, much to Emma's disappointment. Danny and Pat finally formally meet at a night, where we also get a number with Lawrence Gray, Wynne Gibson and Benny Rubin.


(Because I can never resist including a number that ends with a joke about "my fanny.")

Anyway, before you can say "Why in the world would you want to marry an iceberg like her?", Danny and Pat are engaged. But she's still hanging around with old flame Rod (Kenneth Thomson playing the same kind of smarmy rich guy he plays in "The Broadway Melody"). And just before the ceremony Danny overhears Pat and Rod making baby talk, and Pat telling Rod "you're Danny's understudy." So the heartbroken Danny breaks up the wedding rehearsal, giving Gray his only opportunity in the movie to display emotion that isn't expressed by a smile.


But never fear -- Danny turns to the long-suffering Emma to relieve his broken heart.

"Children of Paradise" is based on the play "The Song Writer," which author Crane Wilbur based on the courtship of Irving Berlin and heiress Ellin MacKay. The plot of the movie-play turns out differently than the Berlin-MacKay affair -- despite the strong objections of her anti-semitic father, MacKay and Berlin were married more than 60 years, until her death in 1988 (he died the next year). In a bit of poetic justice, Berlin reportedly helped his father-in-law financially when the old guy was wiped out by the 1929 crash.

As for Gray, his career faded quickly and he ended up in grade-C westerns before dropping out of show business in the mid-1930s.


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